Richard Strauss was appointed co-director of the Vienna State Opera in 1919 and soon set about composing a new ballet for the refurbished historic Redoutensaal in the city. At carnival in February 1923 the work was unveiled – a delectable series of eight arrangements of music by François Couperin called Tanzsuite. For the Divertimento, an orchestral suite that includes characteristic Straussian orchestration, and which was written many years later, Strauss rearranged six movements from the earlier work and added two further dances. About Jun MärklJun Märklis a highly respected interpreter of core Germanic repertoire and has become known for his refined and idiomatic explorations of the French Impressionists. His long-standing relationships with the state operas of Vienna, Berlin, Munich, Semperoper Dresden and the Metropolitan Opera have been complemented by his music directorships of the Orchestre National de Lyon and the MDR Leipzig Radio Symphony Orchestra. Among the more than 50 albums Märkl has recorded are the complete Schumann symphonies with the NHK Symphony Orchestra; Mendelssohn and Wagner with the MDR Leipzig Radio Symphony Orchestra; and a highly acclaimed Debussy series with the Orchestre National de Lyon. He is currently working on a cycle of works by Saint-Saëns, R. Strauss and Hosokawa.
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Reviews
"... All in all, well worth considering."
Peter J Rabinowitz - Fanfare - May/June 2021
Performance **** Recording ****
“… Ignore those commentators who dismiss these suites as stylistically anachronistic and irrelevant to Strauss’s achievement. Closely listened to, they prove full of ingenuity and character. Strauss’s as much as Couperin’s. And the New Zealand Symphony Orchestra under Jun Märkl deliver them with the gravity, levity, intensity, serenity and energy they variously invite, in a clear and concert-like recorded perspective.”
Bayan Northcott – BBC Music magazine – January 2021
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